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EKLOC - Cole Porter
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All of You Always True to You in My Fashion Anything Goes Be a Clown Begin the Beguine Brush Up Your Shakespeare I Get a Kick out of You I Happen to Like New York I Hate Men I've Come to Wive It Wealthily in Padua I've Got You Under My Skin In the Still of the Night It's De-Lovely Josephine Juke Box Dance Just One of Those Things Katie Went to Haiti Kiss Me Kate Les Girls Let's Be Buddies Let's Do It (Let's Fall in Love) Mind If I Make Love to You Miss Otis Regrets My Heart Belongs to Daddy Night and Day Niņa Now You Has Jazz Too Darn Hot True Love Voodoo We Open in Venice Wedding Cake Walk Well, Did You Evah What Is This Thing Called Love Where Is the Life That Late I Led Who Knows Who Wants to be a Millionaire Wunderbar You Can Do No Wrong You'd Be So Nice to Come Home To You Do Something to Me You're Just Too Too You're Sensational You're the Top

Cole Porter was born in Peru, Indiana, on June 9, 1891 and lived till October 15, 1964. He cultivated a style of songwriting that reflected his lifestyle; suave, sophisticated and urbane.

Porter began studying music as a child, and by age 11 had published an operetta. As a young man he attended Worcester Academy and Yale University. At Yale he wrote "Yale Bulldog" and "Bingo Eli Yale," fight songs still in use today.

WWI interrupted his career, and after the war, Porter spent most of his time in Europe where he continued his musical studies.

By the end of the 1920s, Porter's career took off and he moved to New York where he wrote hit after hit with shows such as "Fifty Million Frenchmen," "The Gay Divorce," "Anything Goes," "Rosalie," "Kiss Me Kate," and many, many more. Cole Porter's lyrics "revel in dazzling word-play". Someone once asked him who wrote a song playing on the radio. He answered, "Rogers and Hammerstein,...if you can imagine it taking two men to write one song."

? No one was safe from his wit, it seemed. He produced the following lyric for a character based on Elsa Maxwell, renowned hostess, describing her next party, "Twill be different in every way...Gershwin's promised not to play". This alluded to George Gershwin's tendency to regularly entertain late-night party goers with his latest creations.

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